Taylor Swift's Directorial Debut

• 30:22Taylor Swift is making a feature directorial debut for Searchlight Pictures, and Tim is shocked they're letting her do it.
• 30:33Tim jokes about the film's plot: Taylor playing a plantation owner's daughter who teaches a slave to read and play guitar.
• 31:03He pivots to a series of false premises—Taylor as a Nazi's wife, then comparing it to The Sound of Music, then as Leah Thomas in a comedy called 'Don't Look at My Finn.'
• 31:58Tim speculates on actual scenarios: maybe she plays Casey Anthony in a red-state revenge fantasy, or a Ukrainian woman who poisons Putin for blue states.
• 32:40He predicts the film will be a sweet summer movie where Taylor is mad at a guy in Nashville with a big soundtrack.
• 33:01Tim argues that anyone with an audience like Taylor's will get tapped to direct, regardless of filmmaking knowledge, turning it into a two-hour Taylor Swift song about her romantic grievances.
• 33:36The real issue, he says, is that people have given up—they'll hand Doja Cat a film nobody can understand because she has an audience, so why not let Taylor do whatever.
• 34:02Tim acknowledges Searchlight's recent successes like The Menu and Banshees of Inisherin, then notes they're now releasing Taylor's ode to being stood up at a dance.
• 34:40He complains about the current crop of serious films featuring menopausal white women conductors and accomplishing things, saying audiences are tired of it.
• 35:10Taylor's film will probably work because she's liked by both sides and culture war watchers, likely ending up as a goofy country rom-com, though Tim doubts it'll be good.
• 35:29Tim admits he can't imagine it'll be good, though he's not certain what it will be.

Taylor SwiftSearchlight PicturesKanye WestDoja Cat